Thursday 18 March 2010

Burton To Visit The Addams'


With Alice in Wonderland fast becoming the highest grossing film of the year, and of Tim Burton’s career to date, it may be unsurprising that his latest project sees him in familiar territory, with a 3D animated stop-motion project centred on The Addam’s Family.

According to Deadline Hollywood, Burton will source inspiration from the Charles Addam’s original illustrations first seen in the New York Post, that have been purchased by Universal’s Illumination Entertainment.

Characteristically, Addam’s original incarnation of the delightfully ghastly Addam’s family, are at first glance, distinctly suited to the style that Burton has made his own in previous animated features The Nightmare Before Christmas and Corpse Bride.

Indeed, it is a staple of Burton’s back catalogue to seek light in dark and life in death. It is this fascination with all things abnormal, that on paper, this project offers Burton the perfect scope to deliver more of the same.

The project is set to be an independent imagining of the world of Addam’s, with Burton delving into the litany of the original illustrations. Previous incarnations of the ghoulish family have included the camp 60’s television series, and two Barry Sonnenfield directed comedies from the 90’s, starring Raul Julia and Angelica Huston. 

There is no writer yet attached, so this project is definitely one for the future. However, with Burton set to provide much of the visual look himself, his exhibit currently on display at a MOMA, may hint at a possible feel that he may adopt.

Undoubtedly, a ‘Burtonesque’ imagining of the immortalised family appears to be a perfect twisted match. However, It does raise a question, After Charlie and The Chocolate Factory, Sweeney Todd and Alice In Wonderland, is Burton overdoing the re-imagining route? After all his collection of short illustrated story poems in The Melancholy Death of Oyster Boy, carry the potential for an entire casting of weird and wonderful new worlds. Surely, it is time Burton should resist his recent muse, and bring new focus to new ideas. 
MATT RICHARDSON

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